Ainsworth Psalter

The Ainsworth Psalter, 1612. The Bay Psalm Book, 1698. The Grounds and Rules of Music Explained, 1721. The psalms within the book are influenced by the English, Dutch, and French, because Henry Ainsworth was originally from England; he moved to Amsterdam, where French and Dutch reformed churches were prominent. Instruments were not allowed, so a bystander would have only heard voices singing simple melodies. Bunker connects Bradford’s account with the biblical commentary and psalter of the Cambridge-educated English Hebraist Henry Ainsworth, whom the Pilgrims held in high esteem. We know the Mayflower ’s passengers had, in addition to the Ainsworth Psalter, at least two copies of his major work, his Annotations upon the Five Books of Moses.

  1. Ainsworth Psalter Pdf
  2. Ainsworth Psalter Mayflower

Anthology of
The American
Hymn-Tune Repertory

The Colonial Era to the Civil War

Images from period tunebooks representing
first or early printings with MIDI recordings.

Mark D. Rhoads, Editor

Tunes|Tunebooks and Prefaces |Resources
Contact the Editor | About the Editor | Bethel University

This anthology. . .

contains 50 representative tunes in 33 tunebooks and 7 categories sung by Americans from the period between the arrival of the Pilgrims in 1620 and the mid-19th century. We most often experience the printed tunes through transcriptions; but here you will see these tunes as they appeared in the old tunebooks. Some are printed from beautifully engraved copper plates; others are quite primitive in appearance. Some are printed from wood blocks or typeset while others introduce unusual or innovative notation. Some of the tunebooks have fascinating and lengthy prefaces which give insight into the issues that surrounded Psalm and hymn singing. Spend some time looking at the way the tunes are printed; explore the title pages and read the prefaces. The only way to truly experience this vocal art is to sing it, occasional printing errors and all, with a group of friends.

Related resources by the editor:

About this site:


English Common Tunes
16th & 17th Centuries

  • Cambridge Short

Plain Tunes

  • Coronation


African American Spirituals

Campmeeting Songs

Folk Hymns

Ainsworth Psalter Pdf

Composers
Psalter
  • Members of that congregation later joined the Mayflower pilgrims. Although Henry Ainsworth did not accompany them on the journey, they brought with them his Ainsworth Psalter — a metrical psalter which was the first hymnal to be used in New England. It remained in use in some places until the late 19th century.
  • Current Issues in Linguistic Theory 314-harry.pdf - Free ebook download as PDF File (.pdf), Text File (.txt) or read book online for free.
Bradbury, William [1][2][3][4][5]
Tans'ur, William [1][2]
Lowell Mason
The National Psalmist, 1848

Transcriptions or Images of Selected Prefaces
Preface to The Grounds and Rules of Music Explained, 1721 (Thomas Walters)
Preface to A Compleat Melody, 1735 (William Tans'ur)
Preface to A Collection of the Best Psalm Tunes, 1764
(Josiah Flagg)
Preface to The Chorister's Companion, 1783 (Simeon Jocelin)
Preface to Select Harmony, 1779 (Andrew Law)
Preface to The Easy Instructor, 1802 (Little and Smith)
Preface to Spiritual Songs for Social Worship,1833 (Lowell Mason and Thomas Hastings)
Preface to Sacred Songs for Family and Social Worship, 1842 (Thomas Hastings)

Preface to Carmina Sacra, 1842 (Lowell Mason)
Preface to The Sacred Harp, 1844 (B. F. White and E. J. King)
Preface to The National Psalmist, 1848 (Lowell Mason)
Preface to The American Vocalist, 1848 (D. H. Mansfield)
Preface to The Plymouth Collection, 1855 (Henry Ward Beecher)
Preface to The Sabbath Hymn and Tune Book, 1859 (Lowell Mason)
Preface to Oriola, 1859-1862 (William Bradbury)
Preface to The Golden Shower of Sunday School Melodies, 1862 (William Bradbury)
Preface to The Golden Censor, 1864 (William Bradbury)

Ainsworth
Historical Information

Amazing Grace: Some Early Tunes
Gallery Music (Sue Glover provides important information about West Gallery music. Her 'Who was Who' is especially useful.)
Reformers and Resisters: Changing Taste in American Protestant Church Music, 1800-1860 (pdf)
John Wyeth and Southern Folk Hymnody
Fasola-Sacred Harp and Shape-note Singing (links to many resources related to this anthology)
Shape-Note Singing Schools
American Folk Hymnody in Illinois, 1800-1850
The Regular Singing Controversy: The Case Against Lining Out

Sacred Harp and Shape-Note Related Music Resources(links to many resources related to this anthology)
Church Music in America, Nathaniel Gould, 1853

Hymn Tunesfrom the period covered by this anthology

The Hymn Tune Index
Isaac Watts Fan Club (MIDI renderings of many tunes popular in America during the period covered by this anthology.)
Spiritual Songs for Social Worship,
5th Ed., 1837 (Hastings and Mason)
The Christian Lyre,
18th Ed. revised, 1838(Joshua Leavitt)
The Boston Handel and Haydn Society Collection of Church Music,
9th Ed.,1830(Lowell Mason)

Hymn texts sung in America during the period covered by this anthology

Olney Hymns (John Newton and William Cowper)
Psalters (Old Version, New Version, Bay Psalm Book, Scottish Psalter, Watts)
The Bay Psalm Book (The Whole Booke of Psalmes...) 1640
A Collection of Hymns for the People Called Methodists, 1779 (John Wesley)
Hymns for the Use of the Methodist Episcopal Church, 1869 (Revised ed. of 1849)
Psalms and Hymns of Isaac Watts
A Collection of Divine Hymns and Spiritual Songs, 1810 (Joshua Smith & Samuel Sleeper)
Hymns Founded on Various Texts in the Holy Scriptures, 1766 (Philip Doddridge)
Hymns, &c Composed on Various Subject, 1769 (Joseph Hart)
Several hymns by Anne Steele
Several hymns by John Cennick
The Golden Harp, Or, Camp-meeting Hymns, Old and New Set to Music, 1857 (George W. Henry)
John Rippon 'Watts and selected hymns' corrected and improved by Rev. C. G. Sommers, 1832
Village Hymns, 7th Ed., 1827 (Asahel Nettleton)
Timothy Dwight 'Watts and selected hymns' 1821

Organizations

Hymn Society of the United States and Canada
West Gallery Music Association
Parson John (A Discussion of Religion: Christianity on the Kentucky and Cumberland Frontier, 1700-1800)

Mark D. Rhoads, Department of Music, Bethel University, 3900 Bethel Drive, St. Paul, MN 55112

Ainsworth psalterAinsworth psalter psalm 100



Ainsworth psalter


Two notable scholars are in the Ainsworth family tree.

Henry Ainsworth was a Puritan clergyman in the 16th century who was also a notable scholar and musician. In addition to several tracts and books, he made a translation of the Old Testament directly from the Hebrew. I was privileged to see a first edition of it in the Parker Library of Corpus Christi College, Cambridge. He was the Teacher (an official post) to a Puritan congregation who fled England for the Netherlands. Members of that congregation later joined the Mayflower pilgrims. Although Henry Ainsworth did not accompany them on the journey, they brought with them his Ainsworth Psalter — a metrical psalter which was the first hymnal to be used in New England. It remained in use in some places until the late 19th century. Wordsworth mentions it in “The Courtship of Miles Standish” - “the well-worn psalm-book of Ainsworth, Printed in Amsterdam, the words and the music together, Rough-hewn, angular notes, like stones in the walls of a churchyard, Darkened and overhung by the running vine of the verses.”

Not one of my direct ancestors, but related, Robert Ainsworth, 1660-1743, was a lexicographer who compiled a famous dictionary of Latin (Ainsworth’s Latin Dictionary, 1736) that was the standard work for at least 150 years and saw 24 authorized editions in England and two in Boston. He was a friend of Charles Wesley, the founder of Methodism, who mentioned their meeting in 1738 in his diary: “I was much moved at the sight of Mr. Ainsworth, a man of great learning, above seventy, who, like old Simeon, was waiting to see the Lord’s salvation, that he might depart in peace. His tears and vehemence and childlike simplicity showed him upon the entrance to the Kingdom of Heaven.”

Ainsworth Psalter Mayflower

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